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9 Designers Reinterpret Cinderella’s Iconic Slipper

After Dolce & Gabbana’s enchanted forest and Valentino’s flower fairies on the Fall/Winter 2015 runways—plus hit films like Angelina Jolie’s Maleficent and Meryl Streep’s Into the Woods—it’s fair to say that 2014 was the year of the fairy tale. Now, only three months into 2015, we’re anxiously awaiting Kenneth Branagh’s Cinderella, starring Lily James and Cate Blanchett.

In honour of the film’s release later this week (March 13), Disney has recruited 9 of the fashion world’s most esteemed shoe designers to re-interpret Cinderella’s classic glass slipper.

Scroll down to see what the (well deserved) fuss is all about. #IfTheShoeFits

Jimmy Choo

Jimmy Choo

“I think every girl desires a Cinderella moment in their lives. This story ignites a love affair and fascination with shoes that never dies. The power they have to transform is instilled from a young age and the fantasy remains alive forever. I wanted to create a shoe that felt magical, with alluring sparkle and a feminine, timeless silhouette evoking those childhood emotions.” – Sandra Choi, Creative Director Jimmy Choo

Salvatore Ferragamo

Salvatore Ferragamo

“The magic of a shoe that turns a woman into a princess and gives her the feeling of walking on clouds is a universal dream. A modern Cinderella fairy tale of rediscovering a soft sensuality and a powerful femininity. A shoe made of transparency and light: the cage heel, an iconic symbol of Salvatore Ferragamo, is covered with Swarovski crystals and is transformed by sparkling impalpability.” – Massimiliano Giornetti, creative director at Salvatore Ferragamo

Paul Andrew

Paul Andrew

“Cinderella’s glass slipper represents every woman’s dream shoe. The story, being a classic, inspired me to use my iconic pointed toe silhouette, which I embellished with an array of hand encrusted Swarovski crystals to create the ultimate fantasy shoe. I used transparent PVC to create a ‘glass’ effect and ivory suede for luxurious texture and dimension.” – Paul Andrew

Alexandre Birman

Alexandre Birman

“My vision of the glass slipper was inspired by the timeless and feminine beauty that I believe Cinderella and the Alexandre Birman brand both share. I reinterpreted our classic Johanna pump, this time giving it a fashionable and romantic twist with satin and Swarovski crystals. It’s a shoe I imagine a modern princess would wear.” – Alexandre Birman

René Caovilla

René Caovilla

“‘Works of arts called shoes’ to grant wishes and raise emotions. Passion and never ending research don’t draw the line at fantasy and creativity. This is how dreams come true in our fairy tale.” – René Caovilla

Nicholas Kirkwood

Nicholas Kirkwood

“Cinderella has both delicate and strong qualities as a character. The moment of transformation emphasizes both and gave me the design inspiration to create a piece that spoke to the film’s magic.” – Nicholas Kirkwood

Charlotte Olympia

Charlotte Olympia

“I am delighted and honoured to be invited by Disney to design one of the most iconic shoes in history. It was such a pleasure to create my version of Cinderella’s glass slipper which I have aptly named If the Shoe Fits. This transparent platform shoe made with my signature PVC & perspex materials is adorned with star and crystal detailing as befits any princess.” – Charlotte Olympia

Jerome C. Rousseau

Jerome C. Rousseau

“The stroke of midnight is a wonderful element of the Cinderella fairytale, it adds tension and intensity to the story. I was inspired by that when I designed this style for Cinderella and the result is a dramatic midnight-blue glitter sandal on a sky-high heel. The clear strap is reminiscent of the crystal slipper, while the refined gold and silver trims add the right amount of whimsy to the design. I wanted to create something that, if left behind, the Prince would feel even more captivated by Cinderella’s allure.” – Jerome C. Rousseau

Stuart Weitzman

Stuart Weitzman

“Cinderella in 2015 has a timeless appeal. The diamond and translucent bootie enhance the vision I have of her.” – Stuart Weitzman

 

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